Tag Archives: Alaskan artist

Back to Canvas

Recently I started painting on canvas again.  Last year I had to build a giant painting (12ft x 6ft) for a clinic in Bethel, and decided it would be best to paint it on canvas, roll it up, then fly there to rebuild and re-stretch it.  I was pleased with the results.  The end product was quite different from the hardwood plywood panels, but I found it to be easier to put certain details into the painting.  The finishing work required to put a painting on the wall — framing or painting the sides, has always been a hurdle for me, and I remember one of my college professors praising my paintings, but criticizing my shoddy frames.  I often see paintings framed poorly, and I have striven since those early college failures to produce professional looking pieces.  I still have some of those old canvases rolled up, but fortunately I did away with the garish frames.  In my defense, I was framing them on the catwalk balcony at my dorm room, because the sculpture professor wouldn’t let me make frames in the state-of-the-art sculpture lab.

A finished canvas without a frame needs to have a full wrap so the edges may be painted.  I didn’t make canvases that way until I was taught how to do so in class.  Frames need to have a lip that covers the front edge of the painting so you don’t have a distracting gap.  Previously, I used to laminate a piece of hardwood to the edges of a painting and sand the edge back to make a finished looking box, which is impossible with canvas.  That also takes a ton of work, since I am without a wood-shop, just like in the old dorm-room days.  Operating a table saw and a chop saw outside in the snow and 10 degrees is not my idea of fun.  Nobody ever told me being an artist was going to be easy.  In fact, I was told a successful artist works harder than most people.  I don’t know how hard I actually work, but I do seem to always be out of time.  I don’t really like power sanding, so I ordered a case of professional grade canvases.  I’ll give them a try and maybe I can just paint the edges and skip that snowy outdoor time with the annoying power-tools.

Painting on a canvas is completely different than the techniques I have been using on the hardwood panels.  My gold and red underpainting doesn’t work the same, so I have gone back to a traditional painting technique I haven’t used in a decade.  I was always about getting the colors to scream on the surface, but I am now more interested in getting a more accurate depiction.  I am now making an underpainting that represents the grayscale values, and not the primary colors I always used previously, which makes me like using canvas way more.  Canvas paintings reproduce better as canvas prints, since it is the same material used to begin with.  The gold and red painting surface that I have been using, looks great as an original, but always misses a bit as a reproduction.  I am switching over for completely practical reasons.  It seems very few people purchase original paintings.  I sell 20, or more prints and then maybe one original.  Even though my originals are pretty affordable, and I price my prints a bit higher than average.

Painting on canvas takes more time as I am forced to work with layering techniques.  The alla-prima technique looks lackluster without the red and gold underpainting.  It is necessary to build up layers to completely cover the canvas and fill in the little white spots that form around painted objects.  This takes more time and requires mixing mediums.  I will probably have to charge more for originals, since it takes way longer to make canvas paintings.  I originally started painting on the red and gold panels because it worked so well in a Plein Air (outdoors painting) environment.  I could start and finish a painting before it started to rain, or the sun moved too far, changing the shadows.  I was also making smaller pieces.  Are the red and gold panels to be retired forever?  Of course not!  I will still make some pieces using my signature technique, but I also have bought two large canvases and want to see where these traditional materials lead me.

The underpainting with grayscale values.

Close to being finished, just needs a few more details.

The large 5ft x 4ft canvas that I’ll be painting soon. Just need to figure out what to paint. I have two of these.

An Art Show During a Pandemic. The show will go on!

First Firkin Friday with Scott Clendaniel at Midnight Sun Brewing

We recently returned from our cabin in McCarthy to the metropolis known as Anchorage.  Maria and I both experienced small culture shock from the peaceful surroundings of our ten acres near Wrangell – St. Elias National Park compared to the industrialized buzz of the Anchorage city scene.  At the end of a two week stay all the treats we stockpiled to bring to the cabin start to run out and pretty soon you are making a lentil casserole from leftover ingredients.  At the cabin the birds were chirping and the loudest noise in the area was ourselves.  In Anchorage, the place where supplies are plentiful, we ordered sushi the night we arrived to our condo.  It was crazy to hear sirens, neighbors’ doors opening and closing, and the garbage truck.

We returned because I have an art show at Midnight Sun Brewing Co. starting this Friday, June 5th, and lasting for the whole month.  I have been working hard to get a new group of paintings together for this show.  The new pieces represent the four seasons of nature in Alaska’s Boreal forest, and I think they turned out pretty well.  Alaska is still experiencing over a dozen new cases of the Covies each day, but the Governor said we can start socializing again, so the show will go on, but don’t forget your mask.  I’ll tap the firkin at 5pm, and last call will be at 8pm.

Upon returning to Anchorage I was pretty stoked to go into MSBC and have a beer with my friends again.  MSBC didn’t get to celebrate its 25th birthday on the 5th of May the way it normally does, so this week the brewery is having a small celebration by offering some serious barrel aged beauties on draft.  Yesterday I stopped in and they had Arctic Devil barleywine, Sloth imperial stout, Bar Fly smoked imperial stout, the 25th anniversary barrel aged quad, and the Grand Crew Brew all on draft.  The walls at the Loft were bare when I got back Sunday, so I hung some paintings Monday.  I will hang the remaining 33 paintings tonight, and I will see if those barrel aged beers are still on draft.

Tomorrow is one of my favorite nights of the summer when I get to host the First Firkin Friday for June.  If the barrel aged delights are no longer on the menu, never fear, because there will be a special cask of Sloth aged on blackberries!  I will be bringing my craft fair table and will be selling art cards and stickers while sipping the tasty brews around my face mask.  It has been since 2013 that I have been enjoying MSBC’s hospitality in June, and I can’t think of a better way to spend the beginning of summer than sharing a small glass of Sloth with you!   So don’t go hiking at 5PM tomorrow, because you won’t get back in time, the brewery still closes at 8pm.  This isn’t a problem in the winter, but during summer, sometimes you have to set an alarm to make sure it doesn’t get too late for fresh beer at the tasting rooms!  I look forward to seeing all your sparkling eyes, if I miss being able to see your big smiles under your masks tomorrow!  Cheers to summer!

Who’s Your Favorite Musher?

Our studio is inside the 4th Avenue Market Place, which is right on 4th Avenue, about a block from the ceremonial start of the Iditarod Sled Dog Race.  So, since 2016 we’ve been transforming the studio from work mode to pop-up gallery mode, and opening it to the public when everyone is on 4th Avenue to watch the race.  Each year I paint a new dog-mushing oil painting, and it usually sells on the day of the race.  A lot of people who come through the studio that day are tourists who came to Alaska just to see the Iditarod.  This year I painted this piece of Martin Buser, and then featured it in an e-news to my subscribers, and it sold before the open studio event!

Iditarod sled dog race dog mushing painting by Scott Clendaniel

Martin Buser. 24″ x 12″, oil on panel.

So Maria took a photo of the painting, and printed prints of it to sell during the Iditarod start at our studio.  But she also displayed the original, with a “Sold” sticker on it, and she had the brilliant idea to write on the sticker that I accept commissions, and could paint a custom Iditarod painting similar to this one with “your favorite musher.”  Well, several people took her up on that offer, and suddenly, I found myself painting dog teams for the next three weeks!  We were supposed to go to Washington, Hawaii, and Australia, but those trips were cancelled due to COVID-19 hysteria, so I ended up having plenty of time to work on these paintings.  I just finished them last week.  Who’s your favorite musher?

Iditarod sled dog race musher custom painting commission Scott Clendaniel

Aliy Zirkle. 36″ x 18″, oil on panel.

Iditarod 4th avenue anchorage Scott Clendaniel

Lance Mackey. 24″ x 12″, oil on panel.

Iditarod start Alaskan artist Scott Clendaniel dog mushing

Lance Mackey. 24″ x 12″, oil on panel.

Fur Rondy and Iditarod Open Studio Events – A Tradition at Real Art Is Better

We’ve had our studio inside the 4th Avenue Market Place for almost five years now, and each year during the Fur Rondy winter festival, and the Iditarod race start we’ve been turning the studio into a pop-up gallery, and opening our doors to the public.  The studio has large windows facing north, with a great view of the carnival.  Yesterday the carnival rides showed up in the parking lot across the street, which means the festivities are right around the corner!

Carnival rides getting set up in a snow storm.

The timing of the winter festival is perfect.  By late February, most Alaskans are fed up with winter, and start experiencing cabin fever.  The best cure is to head downtown to watch sled dog races, outhouse races, check out snow sculptures, ride a couple carnival rides, and maybe even participate in the blanket toss.  There are so many activities starting Feb. 28.  Here’s a link to the entire schedule.

The Real Art Is Better studio will be open both weekends.  Stop by to warm up, enjoy freshly-baked cookies, and check out the view.  We’re inside the 4th Avenue Market Place in Suite 4, which is in the NW corner if you walk in from 4th Avenue.  333 W 4th Avenue.

Open Studio Hours:

Saturday, February 29, 11am – 5pm

Sunday, March 1, 11am – 3pm

Saturday, March 7, 10am – 6pm

Fur Rondy carnival Anchorage Alaskaworld championship sled dog races anchorage alaska

How to Transport and Install a 12ft x 6ft Oil Painting from Anchorage to Bethel

If you have stopped by our studio in the last three months you saw the enormous oil painting filling my work space, or stashed in the hall in order to make room for people during open studio events.  The Yukon-Kuskokwim Health Corporation built a new clinic in Bethel, and released a call for art in early 2019.  We applied for several wall spaces, and were awarded a contract to create a 12ft x 6ft oil painting on canvas for a large area high on the wall above a stairway.  This is the largest canvas I have ever painted!  Last week I delivered, assembled and helped install this piece at its location in Bethel. 

So, how do you take such a large painting on a jet-plane?  I designed the canvas from the start so that transporting it on an Alaska Airlines flight would be possible.  However, we all know that while some things seem easy conceptually, they can gain complexity as they progress.  The stretcher support was made up of 45 individual ash and birchwood pieces, and no piece was longer than 6ft, because I wanted them all to fit into a ski bag.  The canvas was rolled up and the stretcher support dis-assembled for its journey.  I waited until the day before departure to break it down, and pack it up. 

I awoke at 3:30 AM to catch a 6AM flight to Bethel.  I brought two checked ski bags, and a carry-on backpack.  No extra luggage fees for me with Club 49 thanks to Alaska Airlines!  I could have brought another checked bag, since it was an in-state flight!  Alaska Air and TSA were gentle enough with my precious cargo, and everything arrived in good shape and on-time.  I was picked up by the YKHC maintenance foreman, Pat, at the airport.  He and his team have been installing all the newly-acquired art pieces at the clinic.  I got to see some of the art while I was there, and I must say that the committee chose some incredible art!  We drove to the maintenance building and picked up two more staffers to help lift the painting onto the wall.  Re-assembly took me a couple of hours and I had a conference room to myself.  The extra help was great, and I don’t think I could have stretched it back to its original tightness without the extra muscle.  

The maintenance crew was clutch, as I had planned to hang this colossal piece the same way I hang smaller pieces — on a heavy-duty wire.  There is only an inch of clearance on either side of this piece so getting it straight on the wall was the real problem.  Pat suggested I use a French cleat, and I agreed that would be better, if only I had thought to bring one.  Pat was a superhero and produced the hardware from his storeroom!  This made hanging the piece much easier.  Four guys and two ladders later the 90lb painting slid into place.  This took us right up to lunchtime, and I was a little disappointed I had taken the early flight, as now I had 8 hours to kill until I could catch the return flight to Anchorage.  Pat had to check on his dog, and I had packed a lunch, so I chilled out at the hospital for an hour and breathed a sigh of relief.  

After lunch Pat took me on an amazing driving tour of Bethel and the Kuskokwim River.  I got to go to the grocery store to replenish my snacks for the return trip to Anchorage.  Pretty expensive to buy food and gas in Bethel.  $4.49 a gallon for gasoline, and $8.49 a gallon for milk! The area is beautiful tundra with mountains glistening in the distance.  I got so see a pretty nice chunk of the town, which is much larger than I had expected — about 10,000 residents.  The area around Bethel is very interesting, but the people are where the real beauty exists, everyone is so friendly and helpful.  Bethel is a hub, but it felt like a really welcoming village. 

I was dropped off at the airport with my drop cloths in my ski-bag, and I was feeling really fatigued by this time.  I hunkered down at the airport and worked on my beer coloring book pages for a couple of hours before catching my flight home at 10PM.  I met a fellow who was so happy to pick up his crate from Alaska Airlines.  He said he had snow-machined for two hours from his camp to pick it up!  This was right at twilight, so it was going to be a dark return trip for him.  Adventurous people live in the Delta and I was happy to get a glimpse of this culture.  Thank you YKHC for this superb opportunity!  Maybe next time I can come in the summer and do a little fishing.  

Here is a slideshow of some pictures I took during this whole process.  Below you’ll also find three timelapse videos of my painting, and the last one is of us taking apart the painting and rolling up the canvas.

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Paintings Commissioned for Holiday Gifts 2019

Each year several thoughtful gift-givers commission me to paint custom oil paintings for holiday gifts, and so far I’ve always finished them all on schedule to be delivered several days before December 25th.  This year most of the paintings were dog portraits, and sadly two of those were of loved pups that had recently gone to doggy heaven.  No one ordered a cat painting.  Hmmmm.  One person really liked one of my existing float plane paintings, but wanted a smaller version, so I painted one for him.  I’m always impressed with the concepts that my patrons develop for these pieces, and my favorite part is finding out the stories behind each one.  I hope all the recipients liked their gifts.  I did receive a couple photos of smiling people holding their custom Clendaniel originals.

Click on each one to see it in more detail.  All paintings are framed in a natural wood frame, with hanging hardware installed.  The turnaround time is 2-3 weeks.  You can order a custom oil painting at my Etsy shop RealArtIsBetter, or by contacting me at info [at] realartisbetter [dot] com.

Real Art Is Better in Person

Since I don’t have gallery representation, I don’t get to show people my art in person as much as I would like.  Throughout the year, people can see my art by making an appointment to visit my studio, or attending an open-studio event and art shows at local venues.  Sure, I post photos of my paintings online all the time, but that doesn’t do justice to the colors and texture.  Seeing art in “real life” is a completely different experience.  That’s why I’m so glad to be participating in, and hosting several events this month where you can see my work.  I’m looking forward to seeing you at any, or all of these (if you’re on Facebook, you can see the Facebook events by clicking on the images).

1. Winter Market at Anchorage Brewing Co. November 30th and December 21st, 2-8pm.  Great beer, and pizza baked in a wood-fired oven!Anchorage Brewing craft fair winter market

 

2. The Holiday Studio Sale at the Real Art Is Better studio!  We clean up our studio, and turn it into a pop-up gallery for First Fridays a few times a year, but this one is not to be missed, because it’s more like our holiday party.  December 6th, 5-8pm.  333 W 4th Ave, Suite 4.  Real Art Is Better holiday studio sale

 

3. I will be the featured artist at Turnagain Brewing Company in December, so you can see my art there all month long.  I’ll have a meet and greet event there on Saturday, December 7th, 5-7pm.  My art will be available for sale directly from the brewery.Turnagain Brewing art show Scott Clendaniel beer artist

 

4. I will be joining many talented local artists and crafters at the annual Makers Market at the Atwood Center.  December 14 & 15, 11am – 4pm.  That will be a great place to do all your holiday shopping!

The holidays are always a busy time of year, but I’m grateful for each and every one of you who has supported my art career!

Cheers!

The Big Project Is Finished… Now What?

There were many days this summer when Maria would go hiking, or biking with friends, and I would spend the day at the studio, weekends included, working on the big 1% for Art project for Gladys Wood Elementary.  We installed the paintings this week, and yesterday I touched up all the spots where screws were visible, and mounted the plaques, so the project is officially done!  The whole process took over a year, but a lot of that time was spent waiting for paperwork to get processed, designs to be approved, contractors to be available after the earthquake, etc.  The actual work took about 7 months, but I did spend a few weeks at the cabin in McCarthy, and went on a ski trip in March.  I also managed to have an art show at Midnight Sun Brewing, and complete all the commissioned paintings that were ordered during that time.  Now that the big project is over, I need to regroup and set a course for the next few months.  The first thing I did was clean my studio, now that the panels weren’t completely overtaking it.  That really set my mind at ease.  So, what’s next?

Alaskan artist public art Scott Clendaniel studio

The panels completely took over my studio, which is why we couldn’t be open for the First Friday Art Walk.

Alaskan artist public art Scott Clendaniel Gladys Wood

The paintings are all installed!

Well, first we’re flying to Arizona, and meeting a couple of Maria’s relatives from Germany, and going to Las Vegas with them, and then Grand Canyon, Bryce and Zion National Parks!  When I get back, I’ll start working on my next public art project (Maria is really good at keeping me busy), which is a 12ft x 6ft oil painting on canvas for the new clinic in Bethel.  I will also continue working on my beer-themed coloring book.  So far I’ve completed 26 pages, and my goal is 50.

This is a rendering of the painting I will be making for the new clinic in Bethel.

The beer-themed coloring book is coming along.

I will also start getting ready for my next art shows at Enlighten Alaska in November, and Midnight Sun Brewing in January, and the Makers Market in December.  We can start having First Fridays at our studio again, and the next one will be in December, which will be the Real Art Is Better holiday party.  Other than that, I’m available for commissions, graphic design, and sticker orders.  Life is pretty much back to normal, maybe I’ll even go mountain biking tomorrow with Maria!

When Things at an Alaskan Cabin Go Wrong

~ by Maria Benner

Alaska cabin

We managed to get this far on the new Arctic entry building project.

At the beginning of this summer Scott and I had a great trip to our cabin in McCarthy, and he wrote about it in an e-mail to his subscribers.  His story described how much he loves being at the cabin in the woods in Alaska’s wilderness, and maybe even inspired some people to get out of the city and get closer to nature.  Well, there’s another side to that story, and this latest trip to the cabin will give you a more accurate account of what life in remote Alaska is really like.  Sometimes the simple life becomes really complicated due to the fact that you’re many miles away from civilization, and all your stuff just breaks in one week.  That’s what happened on this last trip. 

First, the most traumatic incident occurred (or so we thought at the time) when Scott’s iPhone X suddenly turned off, and just died.  We used my phone to Google how to bring it back to life, but nothing worked.  Unfortunately, the Apple store in Anchorage is about 300 miles away, so Scott had to live without his beloved phone for a whole week.  Turns out his logic board had fried, and $549 later, Scott has a new iPhone X from the Apple store.

Then, only an hour later, I did something really stupid that could have resulted in awful consequences, but I got lucky.  We started building an Arctic entry, otherwise known as a mud room.  The plan is to use this addition for a shower, a small washing machine, dry wood storage closer to the cabin, and to store muddy boots and bulky coats.  Well, the first step was to remove the wooden ramp that we’ve been using for years to get into the cabin.  Scott told me he removed it.  Then I had to make a phone call, but needed a receipt from the truck, and as I was dialing the number while looking at my phone, I opened the door and stepped onto… nothing.  Right down to the ground about three feet at full speed, and onto a rock.  My ankle did not like all that force, and I felt strong pain.  My first reaction was to deny that it may be broken, and to keep walking on it, while repeating the phrase, “It’s not broken, it’s not broken!”  Then I started to panic, because if it was broken, Scott would have to drive me for three hours one way to the nearest clinic in Glennallen.  So I felt nauseous and got all sweaty, and had to lie down on the ground while Scott ran and got me some ice.  Luckily we brought a small fridge to the cabin on this trip that is powered by our solar panels, so we actually had ice!  Turned out that I have pretty strong ankles, and it was just sprained.  So I taped it, and gently walked on it, and managed to finish my building project that day.  Phew!  That was a close call.  I’m going to call our insurance company to confirm that we have coverage for a Guardian or LifeMed flight out, and if not, we’re buying that insurance ASAP!

The next day, we noticed that a weld had broken on our little trailer that was holding the wheel cover on.  The McCarthy Road is rough, and nothing survives multiple trips without some damage.  We decided we need to buy a welder in Anchorage, and bring it to the cabin on the next trip.  We have a running list going on my phone of all the things we need to bring to the cabin from Anchorage.

Then we started smelling a funky odor inside the cabin, and couldn’t figure out where it was coming from, until Scott opened the trap door under the house to access our extra stash of beverages, and saw that they were sitting in a soapy pool of dirty water.  Last year I installed a French drain next to the house, and pipes leading from the sink into the ground to drain water, so that we could get rid of the slop bucket.  Well, apparently, a pipe connection had come apart for some reason (maybe the log cabin shifted slightly), and all the dish water was just going under the house.  Gross!  Since I was the one who completed that project, I got to be the one to clean up the mess and fix the pipe.

A couple days later we noticed the smell of propane occasionally, and finally decided that the only possible source was the gas range, so we shut off the propane tank, and went to bed.  In the morning we had to figure out what was happening.  So we moved the counters out of the way to access the back of the stove, and inspected all the connections.  Everything seemed tight.  The instruction manual to the stove wasn’t helpful — it just told me to call the local fire department.  McCarthy has a VFD, but the Fire Chief encourages self-reliance.  So I made a soapy water solution, and brushed it where I thought the gas could be coming from, and sure enough, I found a leak right were the yellow propane hose connects to the first nut.  The hose had failed, because we installed it at a sharp angle.  Since the closest Home Depot is about 300 miles away, we couldn’t fix this problem until we can bring a new hose on the next trip.  So we just didn’t have a stove, or an oven for four days.  Luckily, we have an outdoor propane two-burner that we could use to cook food, so we cooked outside for the remainder of the trip.

So, if you have been dreaming of building a cabin in remote Alaska to get away from all your problems, just be prepared to handle a whole different set of challenges.  Living in the wild does have many benefits, and some amazing things happen right outside our door, like a mama moose and a baby suddenly showing up, or a bunny coming over to nibble on some grass, and the mountains and the sky are so big and majestic.  The silence is also nice — we sleep so well out here, not to mention the fresh air.  But it all comes at a cost, like so many things in life.  Everything seems to always work out, but when stuff goes wrong, it seems like a bigger deal out here when you have to be self-sufficient. 

Mama and baby moose

These two visited the cabin one evening.

How to Tell If You’re Looking at Real Art, or a Reproduction

~ by Maria Benner

The name of our business is Real Art Is Better, and people often ask, “What is real art?”  Although there is no widely-accepted definition, generally people know it when they see it.  Right after buying one of Scott’s original oil paintings, customers often exclaim, “This is my first piece of real art!”  But simply put, when speaking about wall art, real art is original paintings that an artist actually created by hand.  They can be oil, acrylic, pastel, water colors, etc.  The reason I’m writing this post, is because I’ve noticed that often people have a difficult time differentiating between real works, and reproductions.  And that’s largely due to the way art reproductions are often presented by artists and galleries to look like “real art”.

Reproductions of art come in many forms, and often they are hung on walls of galleries without a proper explanation, masquerading as real art, when in fact, the piece is a reproduction.  So, pay close attention if you’re about to buy a piece, to be sure that you’re getting an original, if that’s what you want.  There’s nothing wrong with buying, or selling reproductions, just as long as the customer is aware that he/she is not getting the real thing.  The best way to tell the difference is by reading the details on the price tag.

Giclée – a high quality reproduction using an inkjet printer.  These are often printed on canvas, and look almost like the real thing.  Pay attention to the price tag, it should tell you whether the piece is a giclée, often also referred to as a “print on canvas”.  Often they are framed to make them look even more like originals.

Prints – these reproductions are easier to recognize, because they are printed on paper most of the time, but can also be printed on canvas, metal, wood, you name it.  Sometimes these are framed as well.  The price tag should say “print”.  Some prints are limited-edition, which means there’s a number under the image like 112/500.  This means that only 500 copies will be produced, and you’re looking at copy #112.  Sometimes prints are signed by the artist.  The smaller the number of total prints produced, the more valuable the print.

So, next time you’re perusing art at a gallery, pay close attention to the price tags to see how art is labeled.  If the tag says “oil on panel” or “acrylic on canvas” then you know you’re buying real art.  Sometimes artists will paint a few strokes onto a canvas print, which is a nice touch, and makes the painting look more like an original.  In this case, the tag should say “painted giclée”, or “painted canvas print”, or something similar.

Scott sells original oil paintings and limited-edition, signed prints.  You can differentiate easily between his prints and originals.  At an art show, or at the studio, the art hanging on the walls is real.  Each piece is an oil painting on panel, framed in a natural wood frame.  There is only one in all of existence, and the value of it will increase over time.  Limited-edition, signed prints are in the black print bins.  They are printed on paper with archival ink by an inkjet printer in our studio, signed by Scott, and numbered.  Prints can also increase in value, but not as much as originals.  We chose to make prints, because we realized that some people don’t have a budget for originals, but still love the images, and we want them to be able to enjoy them.

To see the latest Clendaniel originals and prints, I invite you to attend Scott’s art opening on June 7th at Midnight Sun Brewing Co. in Anchorage.  He will kick off the art show at 5pm by tapping a firkin of Sloth Belgian-style stout barrel aged in bourbon barrels and cask-conditioned with tart cherries soaked in Cabernet!  Scott’s paintings and prints will be on display at the brewery and available for sale until July 4th.  If you’re on Facebook, here’s a link to the FB event.

Black Note Stout by Bell's Brewing Oil Painting by Beer Artist Scott Clendaniel

Framed original oil painting.

Limited-edition print, numbered and hand-signed by the artist.

Limited-edition print, numbered and hand-signed by the artist.