Tag Archives: scott clendaniel

Tok Thai Food

Tok Thai Food by Scott Clendaniel, 20″x16″, oil on canvas

My Aunt Barbara took a photo of a raven sitting on top of the Tok Thai Food establishment on her drive back from a visit to McCarthy, and I got her permission to make a painting based on her photo. According to a review on Yelp, Tok Thai Food has the best Panang Curry in Alaska.  I’m going to get some on my way back from McCarthy next time.  This roadside restaurant is an enigma, and I don’t know much about it. All I could find online were the menu and a bunch of positive reviews. The official website’s title page calls it Tok Tdai Food.  I have always had a good meal there, but is it really “t’die” for?  So, why is Tok Thai Food in Glennallen, and not in Tok?  The questions keep on rolling. Why is the best food in Glennallen, Thai food? Why is the best Thai food in Alaska located in Glennallen? Who owns this place? Who is making this delicious food?

What I do know is that I love stopping at this crossroad on my way back from McCarthy, and taking a minute, or 20 to get out of the truck, get some gas, and have fresh food. Making a stir fry from old cabbage, a spotty squash, and some canned chicken at the cabin in McCarthy may fill my belly, but it is far from what you get at Tok Thai Food. I think it’s the location that makes it so special. Strategically located at the T, where the Glenn Highway meets the Richardson.  If you are going to Chitina to dipnet, or want to go to Valdez, you drive right past it.  If you want to go to Tok, Whitehorse, Haines or Seattle, you will also drive right past it.  It is four hours from Anchorage, and four hours from the Canadian border, perfectly located for lunch.  

I painted this iconic sign because it represents returning to civilization. After a month in the Wrangell Mountains, a hot meal is welcome.  The Radio Shack sign in Glennallen advertising hot pizza is alluring, but they don’t actually have hot pizza, or at least not when I have been there.  The Freeze has long since closed its doors. The IGA may have some sandwiches and deli snacks, but it is far from excellent.  The raven in this painting symbolizes wilderness to me, and the bright yellow manufactured plastic sign, humanity.  After washing hands in the gas station, and getting a crispy fried egg-roll, it feels good to know, that yes, they do sell auto parts within the Glennallen city limits. This painting is about the balance of going to the wilderness to reduce stress by leaving the trappings of the city behind, while in the wilderness there is a different kind of stress of knowing you only have what you brought with you. It is good to change it up, find the ataraxia (Greek for balance), remind yourself what is important in your life, and you will find your inner peace.        

The original oil painting on canvas will be on display, and available for sale at my art show at Dos Manos Gallery in June and July. The art opening reception will take place on First Friday, June 3, 5-8pm. I will also have some prints available.

Montucky Cold Snacks Beer Painting

Montucky Cold Snacks is a light and refreshing beer, just like a good “adventure” beer should be.  For this painting I imagined three white horses prancing around a Montana ranch, while a cool farm hand stands watching by the property’s fence, sipping on a Cold Snacks at the end of a long day of ranchin’.  It is this type of dream of Montana that inspired this beer to be made, and inspired me to paint this composition.

I love a good, cold, American-style lager. It is the perfect beer for after a long, hard, sweat-filled workday, or a grueling play day.  I would drink it on a box, I would drink it with a fox. I would drink it here, I would drink it there! Basically, I could drink Montucky Cold Snacks anywhere! The cool thing about this beer, is the brewery donates 8% of its profits back to local causes.  Remember, the first two are for hydration. 

The original oil painting, and signed prints are available at my Etsy shop.

Montucky Cold Snacks Beer Painting by Scott Clendaniel. 11″x14″, oil on panel.

 

Plein Air Painting at Ski Resorts, Part II: Arapahoe Basin in Colorado

This is the second installment of a blog post series about plein air painting during our ski trip with the Mountain Collective pass.  The next resort I painted at after Taos Ski Valley was Arapahoe Basin.

The drive from Taos to Silverthorne, Colorado was about 4.5 hours. Not long after driving north, we hit the Colorado border.  We stopped for a selfie with the “Welcome to Colorado” sign, and Maria made some coffee by plugging in the Balbali water bottle to the outlet in the back of the 4Runner.  We love National Parks, so we decided to stop at the Great Sand Dunes National Park, which was only about a 30-minute detour. We asked the park ranger what we should do during our relatively short visit, and he suggested hiking on the sand dune.  So, naturally we hiked to the top of the tallest sand dune in North America, which was pretty fun, although our shoes got filled with sand multiple times.  Our only regret is not renting sand surf boards. Overall, a great NP adventure!

Descent from the sand dunes at Great Sand Dunes National Park

Our destination was farther than we expected, and we ended up driving over a classic Colorado mountain pass in the dark, but we arrived safely in Silverthorne, and checked into the Luxury Inn and Suites.

In the morning we drove higher into the mountains, got our lift tickets, and hit the lifts. Driving to Arapahoe Basin, and parking was super simple. The parking lot is right at the base of the mountain, no need to take a shuttle. Lift lines were very manageable. A-Basin is a non-profit ski area, which reminded us of our beloved Arctic Valley Ski Area in Anchorage.  Unfortunately, conditions were not very good — windy and icy. We went all the way to the top, which is close to 13,000 ft, and definitely started to feel the lack of oxygen at that altitude. The sun was out and the views were tremendous!  We skied all over the mountain before stopping for lunch at Black Mountain Lodge. We shared a killer burger with waffle fries!

Then I decided to paint on the deck of the lodge right after lunch, while Maria made another run. I wrapped up the painting, and Maria showed me some fun runs she found, and we skied until closing, mostly around the double chair.  Michael Kirkpatrick, our favorite folk singer, was also skiing in the area, and drove from Winter Park to meet us for après ski at the bar, which had a band playing! We had a couple drinks, and went out to our rigs to check out each other’s skiing equipment.  Michael wants to buy some new gear, but his classic stuff seems to be in proper condition, and he said he had some good turns on the mountain after major knee surgery. I showed off my AT gear, which I should probably have left in Alaska, but I love my Black Diamond skis so much, I couldn’t go back to my old stuff.  Maria drove back to Silverthorne in a snowstorm, and we got back with no delays. The storm was intense, but luckily, we didn’t have to drive anywhere for dinner, because Baker’s Brewery was right next to our hotel. Poor Michael had to drive back to Fort Collins, and got caught in traffic on I-70, and didn’t get home until almost midnight! It snowed about two inches, but the winds were high, so the next morning we decided to head straight to Basalt, nearby Aspen/Snowmass.  I will talk about that next week!

Here is the little painting I painted on the mountain. You can purchase it at my Etsy shop for the price of a lift ticket at Arapahoe Basin.

Arapahoe Basin, painted en plein air (outside, on location). 7″x5″, oil on panel.
Selfie with Michael Kirkpatrick
Michael took this picture of me with my travel palette in the parking lot.

Plein Air Painting on Ski Resort Mountains in the USA

When I was 11 years old, I went on my first ski trip outside of Alaska.  My aunt and uncle loved going to Sun Valley in Ketchum, Idaho.  They went there for a veterinarian conference to pursue further education, and had sessions in the mornings, so they signed me up for ski school.  I had already been skiing in Alaska plenty of times, but the Sun Valley Ski School really developed my skills to a new level.  My aunt passed almost two years ago and I wanted to keep the ski trip tradition alive, so when a group of friends from high school were planning a trip to Jackson Hole, I immediately bought the Mountain Collective pass.  The pass provides lift tickets for 2 days at 23 mountains worldwide, and half price tickets for additional days at those mountains. Since Jackson Hole lift tickets are $200+ per day, I figured the pass would pay for itself if I went to one other ski area.  You have to buy this pass before the ski season starts, and there’s a limited number of passes available. I intended to ski at Jackson Hole and also at Taos Ski Valley, as I have always wanted to check out Taos.  A McCarthy neighbor spends winters in Taos, so I figured I could crash on his couch and ski a few free days either before, or after the guys’ trip.  Maria also wanted to go on the trip, but my friends were being weirdly sexist and said, no women allowed.  I called them out on it, but they were being pretty close-minded.  I don’t get it, but I also don’t have kids, and I think Maria is a pretty cool lady on top of that.  So, I figured I would just ski with her instead.  My schedule actually made it hard to meet them when they planned to go, so I decided to do my own thing  and started planning a ski trip with Maria.  It’s funny, but the guys never made it to Jackson Hole.  They all bailed. 

Our new ski trip plan was amazing!  Maria and I flew into Albuquerque, rented a car, drove to Taos, skied two days with friends who met us there, then drove to Colorado. Skied a day at Arapahoe Basin, then drove to Basalt, and skied one day at Snowmass and then another day at Aspen.  Drove for about eight hours to Jackson, WY and skied two days at Jackson Hole with another friend. Finally drive to Bozeman, Montana and skied two days at Big Sky Resort, before dropping off our rental car and flying back to Anchorage, Alaska. 

I brought my plein air painting kit with me on the plane.  I always label the paint as “Clown Cosmetics” just to mess with TSA. The first ski day in Taos we met up with our friends: Ian, Lucas, and Denise.  We skied tough and went all over the mountain, including up to Kachina Peak at 12,500 ft altitude.  We had beers and bratwurst at the Bavarian Restaurant on-mountain dining lodge. It was a great day with friends on the mountain!  We had a nice dinner at ACEQ, right next door to the SnowMansion Taos Adventure Lodge where we were staying in Arroyo Secco — a small community about 15 minutes from the ski village.  

A beer break at the Bavarian Restaurant
Prayer flags and a memorial at the summit of Kachina Peak (12,481ft)

The next morning I mixed up some paint and transferred it to my small on-mountain palette. The yellow tube had a hole in it from rough baggage handling and I was battling to keep our room paint-free.  I carried a small backpack on the mountain and skied hard until about 1:30pm.  I broke off from the group and went to a place I found that was great for painting. About 45 minutes of frenzied, outdoor, cold-fingered painting later, I packed it up and met Maria and Denise back at the Bavarian. On route to meeting them, I toured the whole mountain, since I made a wrong turn after painting.  We all went back to Lucas’s amazing cabin about a mile from the village for Aprés Ski. He had some excellent Bosque Brewing IPA and an interesting home-brewed stout. I enjoyed them both, then we went up to the ski village for pizza and beers. The village is really new and pretty cool, but the pizza was a grease bomb, so we told Lucas he could have all the  leftovers. 

Here is the little painting I made right on the mountain at Taos Ski Valley, of Kachina Peak. The size is 7″x5″, oil on birch panel. You can purchase it at my Etsy shop. I’m selling it for the price of a lift ticket at the ski area, which is $90.

Plein Air painting of Kachina Peak at Taos Ski Valley, painted on the mountain. 7″x5″, oil on panel.

Stay tuned next week for the following segment in the exciting adventures of plein air painting on ski resort mountains in the USA, when I talk about painting at Arapahoe Basin in Colorado!   

Burning Dude, McCarthy, AK, September 11, 2021, 9:11pm

Burning Dude 2021

I know that Burning Man is an established event that has been happening for decades,  but I have never been.  I basically don’t know anything about the event, except that it is a wickedly insane art festival where they burn a temple at the end, sometimes with a man at the top.  A week-long avant-garde art event with 70,000 people all showing up to party and experience being human together in the middle of a hot, dusty desert.  

Dave Hollis, my friend in McCarthy, is a retired computer programmer who I would consider to be the social guru for the Kennicott River Valley.  This guy knows what is happening, where it is happening, and also plans some amazing events of his own.  In McCarthy, around 2009 Dani Evans and B-Mac built a Burning Woman, and she asked Hollis to be a fire tender.  Four years ago in 2018, Hollis and Brady, and some other McCarthy locals, decided to make a small version of Burning Man, which they called Burning Dude.  It is a fragment of the Nevada festival, and can’t even be compared, but it is still a hoot, and a lot of fun.  I missed the Burning Woman, and I also missed the first Dude, who was 12 feet tall, and I heard was awesome.  In 2019 fire danger was high, so there was no Dude.  The second Burning Dude in 2020 was designed by Seth, a local fire dancer, and I helped erect the dude with 10 other people, while Brady quickly nailed supports to keep it upright.  It burned, but never fully caught on fire.  The sculpture was 34 feet tall.  The oversized head was dropped and ignited later, providing plenty of entertainment.  I told the team that I have sculpture training and would like to help build next year’s Dude.

Burning Dude 2020

This fall, both Seth and Brady were not available to build the Dude.  Hollis was bummed, but he asked me if I thought it could still happen without them.  I gathered a small team: my wife Maria, my cousin Cameron, and of course Hollis.  I designed the Dude on a sheet of paper, to be built from log mill slabs, which are fairly irregular, and have a lot of bark on them.  I took an afternoon the day before to gather twigs from the bottom of spruce trees from my ten-acre lot, and loaded them onto my trailer.  The next day, Maria and I drove down to McCarthy, picked up Cameron and we unloaded the brush on the bank of the Kennicott River.  Then we drove over to Hollis’ house where we picked up about 200 spruce slabs.  We chucked them down to the Kennicott river, and we started to build.  I had packed a ton of tools, including my cordless drill, driver, chainsaw, a million screws and nails, as well as wire.  First, I built a sturdy box, and then we built the feet and legs.  We attached the torso, and put on the arms.  Finally we built the head, and put a crown of sparklers on top of it.  Hollis and Maria juggled the head up to Cameron, who was standing on the box.  Cameron hoisted the head up to me, as I crouched inside the torso.  I quick-like attached the head and then had to remove my chainsaw helmet to extract myself from the torso.  Next, we stuffed the spruce branches all over the dude and filled the box, torso and head.  I bought a gallon of vegetable oil and we stapled oily paper towels all over the Dude.  We were building the Dude in a prominent location, right next to the foot bridge, where everyone saw us.  Hollis did a great job telling people to show up at 9pm for Burning Dude.

We had three hours to spare before the scheduled ignition, so we went to Mark and Livvi’s new house for ice cream and hot dogs.  At 9pm, a fairly large crowd had gathered around the Dude.  All four of us ignited him at 9:11pm on 9/11!  I knew the spruce boughs would work, and vegetable oil is essentially as combustable as diesel fuel.  It ignited in three stages: first the box platform, then the torso, and finally the head.  The head had this amazing glowing crown above it from the sparklers, and then it kept burning even after the branches all burned up.  The paper towels were amazing.  The head fell in after 11 minutes, but the Dude lasted about 44 more before Malcolm decided to kick the box over.  I was so pleased with how well everything worked.  I thank Maria, Cameron and especially Hollis for making this possible!  Not as spectacular as Burning Man festival in Nevada, but Burn Dude was a success in 2021!   

The Importance of Lighting for Viewing Art

Lighting can change the appearance of paintings more than you might expect.  Not just paintings, but any surface color can be shifted by changing light.  I am reminded of a time I was picking colors for a sticker design and I chose a red-orange instead of the cherry-red the client wanted. The evening light through my old apartment drapes affected my choice. Little to say, I had to make a quick reorder of stickers for that client.  When I moved into this new house, the room designated for the studio was painted garishly orange.  I decided to take a week to repaint the whole room, about 420 square feet of space, because I wanted to have a neutral color experience.  

I have two lamps that I have been using for photography that I started using to supplement light in the middle of the studio.  I have about as many windows as the rental studio on 4th Ave had, but the room is bigger, and the windows are spread around both sides of the room, so it is nice to have a supplemental lamp in the center.  The lamp has a toggle control that switches it from warm to cool light, and you can see how the painting shifts in color.  I have added a video to this blog for you to see this effect. It makes you realize how important correct lighting is for displaying paintings, and is something that should be considered when creating and installing art.

We Bought a House and Moved out of the 4th Avenue Market Place Studio!

Moving everything from the studio to the new house, including large paintings. Good thing it wasn’t raining!

When we moved into my studio space at the 4th Avenue Marketplace, we were ecstatic to be downtown, and to have extra work space!  I loved the view, and I loved working there.  Having people come by for open studio events during First Fridays, Fur Rondy, and the Iditarod was always a great experience, and we usually made enough money during those events to cover our lease payments. Making the move to 4th Ave really cemented that I am a professional artist.  However, I missed working at home. Packing a lunch was a drag, the bicycle commute across downtown was annoying (especially in winter), and the local street people seemed to always be present to greet me at the door to the building (when they were awake).  I always seemed to have left this tool here, or that tool there, right when I needed it, and I was making another traffic-heavy bike trip back to one of the two locations.    

I am happy to say that last weekend we moved out of the studio, and I am setting up my new studio on the first floor of our new house! It is a huge mess right now! I need permanent storage for tools, supplies, and paintings. I hope to be back to work by Monday, taking a week to move the condo and studio to our new house, and to get the condo ready for sale!  The house is “not perfect,” as my father told me, but to us it is so amazing!  It is quiet at night, there is more space for living and for the studio, and best of all, it has an oversized two car garage!  No more carrying the table saw down stairs to work in blizzards for me!  I can park my truck inside when it is cold out! Not to mention, the obvious home-brewing improvement!  I brought my big smoker grill home from my parents’ house, and I’m going to smoke a brisket when I have everything set up. When brew day rolls around in the new garage, I’ll brew a big batch for a big housewarming celebration.  

Until then there is a lot of work… Anybody want a cute little apartment-style condo in West Fairview? It would make a great Airbnb rental!

Cheers to making life better!  May your day be brighter today than yesterday, and tomorrow be even better than that!    

Sad the downtown studio is closed?  You can still meet me for a beer at Midnight Sun Brewing. My art is there until the end of June!  I will be having more out-of-the studio shows, so keep following Real Art Is Better on this blog, or on social media and we will keep you informed where and when we will be having in-person events!

“Oh Geez, Rick!” – Morty

“Oh Geez, Rick”,  is a painting I made because I am a home-brewer and a huge fan of the show Rick and Morty.  Every home-brewer loves to brew in the garage. Since I don’t have one, I decided to pretend to have the most amazing garage ever, Rick’s garage from the show.  Every time I make a batch of beer, I pitch the yeast into a big glass fermenter like the one pictured here in Rick’s garage laboratory.  I always think about the life that is being cultivated inside the glass universe in the carboy.  Sealed with an airlock to keep the culture clean, it reminds me of our planet.  We are like the yeast, and the wort (unfermented beer) is like our natural resources.  As the yeast bubbles, and ferments the wort into beer, it is like our planet living out its days.  Once in a while I will double down on a batch of beer and pour fresh wort into the leftover yeast slurry from a previous batch. When I do this, I think how awesome it would be if we were able to buy more time for humanity on planet Earth by just brewing up some more clean air, water, and sunlight.  

The lifespan of any life-form is limited by its resources.  So my question is: if the planet is like a beer fermenter and the garage is like space outside our universe, is there some giant being that wants to eat all our garbage and breath our CO2 to catch a relaxing buzz?  Rick would know, he probably was teasing it with his portal gun.  

Cheers to life! Although it may be fleeting, make sure it is a fun ride!

This original oil painting, and signed art prints are available at my Etsy shop. You can see this painting in person at my art show at Midnight Sun Brewing Co. June 4 – July 1, 2021. I will kick off the show this Friday at 5pm by tapping a pin (small keg) of a wit beer with key-lime, cask-conditioned on Madagascar and Tahitian vanilla beans and graham crackers!

“Oh geez, Rick!” 11″ x 14″, oil on panel

Virtual Art Show at Midnight Sun Brewing Co.

I have yet another pandemic art show in full swing! I’m the featured artist at the Loft at Midnight Sun Brewing Co. for the month of January! Indoor seating capacity is limited to 25% until who-knows-when, so I’ve created a virtual art show for those of you who don’t feel comfortable going to the venue in person right now. If you’re interested in any of these pieces, give the Loft a call at (907) 344-6653. Even if you live outside of Anchorage, you can still nab a piece, and I will personally mail it to you within the U.S. at no charge. All of these are one-of-a-kind, original oil paintings. They are all framed in natural wood frames, except Winter and Autumn, which have dark brown frames. More paintings and prints are available at my Etsy shop RealArtIsBetter.

Octo-Schuss, 16″ x 20″, oil on panel, $650
Battle of Denali, 20″x16″, oil on panel, $650
Grogu, 7″ x 5″, oil on panel, $85
Let’s Rondy!, 24″ x 12″, oil on panel, $450
Chugach Session, 9″ x 18″, oil on panel, $290
Cherry Funk, 8″ x 10″, oil on panel, $180
Solstice in McCarthy, 14″x11″, oil on panel, $245
Solid Gold, 8″ x 10″, oil on panel, $180
Flightseeing in Wrangell – St. Elias National Park, 14″ x 11″, oil on panel, $245
Bar Fly, 8″ x 10″, oil on panel, $180
The Tree of Life, 16″x20″, oil on panel, $850
Abominable Winter Ale, 8″ x 10″, oil on panel, $180
Future Champions, 20″x16″, oil on panel, $550
Moscow, 8″ x 10″, oil on panel, $180
Earning Your Pint, 24″x12″, oil on panel, $450
Maudite, 8″ x 10″, oil on panel, $180
Polar Biker, 14″x11″, oil on panel, $245
Rondy Brew, 14″ x 11″, oil on panel, $245
Duchesse De Bourgogne, 8″ x 10″, oil on panel, $180
Whale Dance, 36″x18″, oil on panel, $875
San Tan Brewing, 8″ x 10″, oil on panel, $180
MSBC Growler, 8″ x 10″, oil on panel, $180
Autumn, 36″ x 18″, oil on panel, $875
Winter, 36″ x 18″, oil on panel, $875
Sleeping Lady Brewing, 48″ x 24″, oil on panel, $1,200
MSBC Chillin, 12″x24″, oil on panel, $395
Pabst, 6″x12″, oil on panel, $120
Leyland Tractor, 20″x16″, oil on canvas, $925
Bitte ein Bit, 14″x11″, oil on panel, $245

Paintings Commissioned for Holiday Gifts

Each holiday season I receive many requests for commissions that need to be done and delivered in time for Christmas. One of my favorite parts about working on these custom pieces is hearing people’s stories behind the painting concepts. Usually they send me a photo of a special beer they enjoyed with a best friend, or loved one, along with another photo of a place that is significant to both people, and then I combine the photos into one composition. Each detail has a meaning, and I am always glad to be part of creating a one-of-a-kind piece for a person who is caring enough to order a custom painting for a friend, spouse, or significant other. So, each year I publish a blog post to show you all the commissioned paintings I completed during the holiday season. Signed prints are available of Bourbon Paradise, and A Deal with the Devil paintings at my Etsy shop.

Can you think of anything unique, and significant to you that you’d like me to paint?